In-person Course

Harry Mount, author of Amo, Amas, Amat and All That and Odyssey - Ancient Greece in the Footsteps of Odysseus, tells the history of the classical world from 1200 BC to 410 AD through London's buildings in five delightful walks.

This series of illustrated lectures surveys the collecting cultures of Renaissance and Post-Renaissance Italy by focusing on the artistic production and consumption of five powerful Italian dynasties and their artists.  Some of the original more portable works have been dispersed to the art market over the centuries and we will study the subsequent provenance of

This course will bring together the Golden Age of Dutch, Flemish and early to late Netherlandish Art. We will examine their changing face from the 14th to 16th century and how and why the meaning and function evolved and why artists were drawn to particular subject matters.

In just 3 generations, the upstart Tudor clan not only produced some of the more dramatic personalities and legends of the monarchy but took the country from the Middle Ages into the great artistic “rebirth” of the Continent, from stained glass and manuscripts for Henry VII to Renaissance portraits for his son and grandchildren, from

“Fiction is like a spider’s web, attached ever so slightly perhaps, but still attached to life at all four corners” Virginia Woolf All the writers in this short series draw inspiration and support from those closest to them. Where would Jane Austen have been without the support of her sister Cassandra, or Virginia Woolf without

The ideal city or home has long been a preoccupation of thinkers, rulers, and architects. These lectures, mostly focused on western examples, range widely over time, and are loosely themed to discuss particular visions of models for dwelling, working and display. We will discuss both those which were built (or at least attempted) and schemes

Music is not only for the ears. Throughout the history of art, musicians have been represented at play. The concept of musical harmony has also pervaded architecture since its origins. And music also influenced the development of colour theory, proportion and abstraction in art - not to mention the exquisite designs of musical instruments. This

The ability that paintings, like music, have to leave you speechless is surely the whole point: art needs no words to fire the mind, quicken the body and touch the heart. And then we say of a painting that it really speaks to us. No wonder poets want to speak back, make art’s hidden voice

Certain subjects exert a sustained fascination for the artist, others rise from nothing in response to a particular mood, a particular time – landscape, still-life, war…... Each week this course will examine a different theme and the changing way it has been perceived and presented through the ages, moving in to focus on a specific

London is a collection of villages - to a degree greater than any other world city. Medieval villages expanded, particularly in the Georgian and Victorian periods. And, as the fields between those villages were built on, the capital coalesced into one huge conurbation. But, still, within those villages, you can see their distinctive old heart,

This course will explore the design and decoration of some of the most influential and fascinating domestic interiors in Western culture, highlighting both mainstream movements as well as interesting idiosyncratic styles of note. We will focus on the architecture as well as the fine and decorative arts, with painting, furniture, ceramics, glass and other works

Late nineteenth-century Spain was in a state of flux, characterised by competing aesthetic ideas between tradition and the modern, religion and the secular, passionately-felt regional and national identities. Nowhere was this more strongly articulated than through Catalan modernisme (modernism), a cultural movement centred on Barcelona.  We will examine these various seminal influences focussing on the