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Alison Meek
Andrew Spira
Dan Evans
Denise Heywood
Dr Antonia Whitley
Dr Michael Douglas-Scott
Dr. David Bellingham
Dr. Marie-Anne Mancio
Dr. Richard Plant
Frederico Botana
Geoffrey Toms
Graham Fawcett
Harry Mount
Ian Cox
Jacqui Ansall
James McDonaugh
Jeremy Musson
Leslie Primo
Marie-Anne Mancio
Nick Ross
Nicola Lowe
Nicole Mezey
Nigel McGilchrist
Patrick Bade
Phillip Mansel
Richard Williams
Robert Hugill
Stephen Nelson
Suzanne Perrin
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Previous Course

Art & Critical Analysis

30 April – 2 July 2019

From the earliest times, there has been criticism of art, both positive and negative. A substantial body of text survives and this series will look at a wide variety of European art works in the context of their critical reception. Concentrating on major works and significant artists from 1300 to 1900 and beyond, we will observe the impact on the public’s appreciation of art and how that might be influenced by critical analysis including the vagaries of fashion. What impact did these commentaries have on art practice and the artists themselves and can critics be seen to be responsible for influencing and thus changing the course of art history?

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