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Alison Meek
Andrew Spira
Dan Evans
Denise Heywood
Dr Antonia Whitley
Dr Michael Douglas-Scott
Dr. Marie-Anne Mancio
Dr. Richard Plant
Frederico Botana
Geoffrey Toms
Graham Fawcett
Harry Mount
Ian Cox
Jacqui Ansall
James McDonaugh
Jeremy Musson
Leslie Primo
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Nicole Mezey
Nigel McGilchrist
Patrick Bade
Phillip Mansel
Richard Williams
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Suzanne Perrin
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Previous Course

The Iconography of Mythology and Symbolism in Art: Secrets of the Old Masters Revealed

27 September – 6 December 2016

What do all the signs and symbols in paintings mean, if indeed they are there, and why is there an enduring fascination with Greek mythology in the visual arts?

It can all seem somewhat impenetrable. This course will delve into what these hidden meanings really are. You will see how the iconography of mythology can reveal the hidden codes and identify the seemingly mysterious figures in great works of art. It aims to look at the stories which are often re-told in secular Italian and Northern Renaissance painting around, 1400-1600, and also in French Baroque painting. Most often the stories came from antique literary sources which have survived through the middle ages and were the preserve of the rich and cultured.

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